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But being doomed seldom sounded so beautiful." [32] AllMusic's Heather Phares viewed III as the duo's "most serious set of songs yet" and stated, "Artistic progress is as much about subtraction as it is about addition, and on III , Crystal Castles have made room to be sad, angry, pretty, and danceable at the same time." [27] Pitchfork 's Ian Cohen dubbed III "the duo's most focused record", adding, "While not as immediately striking as either Crystal Castles (I or II) , the streamlined sound allows more maneuverability and subtle variety in the actual songwriting." [34] Matt James of PopMatters wrote, "Perennial outsiders to the death, Crystal Castles' third act is inspiring, warped, feverishly uncomfortable, bold, bloody and brilliant." [35] Dan Pfleegor of Consequence of Sound opined that " III is less playful than the duo's previous couple of offerings, but its thematic mood is much tighter and more fully realized." [29] The Guardian 's Tim Jonze noted that "witch house is an obvious influence [on the album], and you could question whether the former chip-tune terrorists are still as ahead of the curve as they once were

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